A documentary depicting Cuba/US relations through baseball.

A guilt-ridden U.S. Marine returns to Cuba to try to find the woman he promised to marry.

The story of Cuban refugees who risked their lives in homemade rafts to reach the United States, and what life is like for those who succeed.

Unable to complete the deal by telephone, advertising executive Roberts sends his assistant Ann to Cuba to lure a Cuban band, led by Desi Arnaz, on to an American radio program. Attracted to Ann, Arnaz and his band come to New York but complications arise when the squeaky-voiced, addle-brained sponsor of the program decides she wants to be the vocalist on the program.

The nationalization of banks in Cuba by Fidel Castro's government brought many worries to both the counterrevolutionaries who fled the country and the ordinary workers who found themselves called upon to run these institutions. Garcia, sent by the former owners of the bank to Roberto, its manager, persuades him to help him break into the bank building to steal the checks of the American-Cuban Bank. Roberto hesitates: on the one hand, the former owners have made him, once a simple accountant, the manager, but on the other hand, he cannot go against the people. He must help the worker Maximo, appointed by the revolutionary government as the bank's commissioner, to understand all the intricacies of the case. Maximo trusts him, consulting him in everything.

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http://www.culture.pl/en/culture/artykuly/os_kawalerowicz_jerzy 1968 GRA / THE GAME (screenplay with Andrzej Bianusz). A couple married for twelve years is in crisis. The husband and wife play a game with each other, in which one partner wants to gain the upper hand over the other. An intimate psychological drama. Kawalerowicz took 3 years to make this film, with his wife playing an architect on the verge of the menopause who sees a possible avenue of escape from a stale marriage. Though well-received initially, it was not widely seen on account of the student unrest that had broken out in 1968, leading to a government crackdown and a slew of sackings in the film industry. This was when Kawalerowicz was fired as head of the Kadr unit.

It’s the typical boy-meets-girl game, but played without rules and at a time when the boy must prove himself. Touching on the subject of teenage sexuality, the film shows that the game often starts with a challenge to the boy’s masculine ego from his peers.

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